In her debut album Gap, the cellist and singer-song writer shifts unconventionally across borders between the classics, soul and jazz, moving from Gaspar Cassadó’s Prélude, Hebrew folk song and Arabian love lyrics, through Johann Sebastian Bach’s second cello suite to songs of her own. She tells her bewitching stories as a one-woman band, with nothing but her own cello, a loop station and the characteristic sound of her voice

“With her souly, warm timbre the message of musical liberation hits home: she sings in a style that is reminiscent of Norah Jones, but with a cello.” Nina Waßmundt, Darmstädter Echo

“From atmospheric colours to bassline grooves and percussive elements, Spaemann and Bakanic plumb the depths of their instruments’ acoustic possibilities while Bakanic’s breath-taking improvisations and Marie Spaemann’s voice and playing generate an urgency and intensity which is genuinely moving.” - Tino Schulter